Tuesday, March 1, 2016

A Horde of Rebels

"...reading, you know, is rather like opening the door to a horde of rebels who swarm out attacking one in twenty places at once..." -- Virginia Woolf

It is past time for an update on where we have been and where we are going on the Road Map journey. I have had the "rebels" on my tail for the past few weeks and I am glad to report they are harmless, and in fact, quite enlightening and entertaining.

Firstly, I can tick two of my 2016 To Be Read books off the list:


Millions of words have been written about Virginia Woolf, one of the early 20th century's vanguard novelists. She helped to bring the stream of consciousness style into being and because of this, her work is considered difficult. The Virginia Woolf Reader is like a See's Candy Christmas box. We get to taste bits from here and there, every one wrapped in bright foil paper with plenty of bows. Editor Mitchell Leaska chose well. There are bits from essays, novels, short stories, diaries, and letters. I did not read the diaries section because of this:


I really do not like to read extracts from diaries. I want the whole life story, as written by the diarist. This is Volume One of the definitive 4-volume set edited by Anne Bell with an introduction by her husband, Quentin Bell. Quentin is Virginia's nephew, son of her artist sister Vanessa. Quentin wrote this excellent biography:


Many years ago, I read To the Lighthouse and Mrs. Dalloway, two of VW's most well-known works. I then read this biography and have been a "fan" (aka "Bloomsberry") ever since. Much more to come about Bloomsbury at a later date. VW lived in a time of great upheaval. She experienced the pain of loss at an early age and suffered from intermittent mental and emotional instability. This instability led to VW's suicide by drowning in 1941. Speculation has ranged from bi polar to schizophrenia. In the early 20th century, her malady was called "insanity". She was fortunate to have been born into the upper middle class or she might have spent her life in an asylum. Instead, she was cared for in hospitals and at home with private nurses. She was lucid most of the time and was a founding member of the Bloomsbury Group, the famous set of authors, artists, intellectuals, and hangers-on who lived or met in the Bloomsbury area of London in the early years of the 20th century. Her life was rich, her writing was sublime, and I encourage you to investigate VW. Do not be "afraid".

In the 1920's, Virginia began a mild love affair with Vita Sackville-West. Vita was an aristocrat. Her family, the Sackvilles, have lived at Knole, one of England's largest country houses, since 1603. The vast estate was given to Vita's ancestor, Thomas Sackville by his cousin Queen Elizabeth I in 1566. The house dates to the late 15th century, with many additions over time. Vita became a celebrity in England in the early 20th century because of two famous court cases. In the first, Vita's mother was proven to be the legal heir to her father Lord Sackville (there was a question as to whether Lord Sackville ever married the Spanish dancer, "Pepita", Vita's grandmother). In the second, Vita's mother was proven to be entitled to a bequest made to her by one of her admirers. The English public was enamoured with Vita, the beautiful young heiress, and could not get enough of her and her family's public humiliation followed by triumph in the courts.

Vita was also a prolific writer. Her best known work these days is the novel, All Passion Spent. She married the diplomat, Harold Nicolson, at Knole in 1913. They were both bi-sexual and each had love affairs with both sexes. Vita and Virginia's affair was mild, mostly a meeting of great minds, as Vita was aware of Virginia's fragile emotional state, and did not want to harm her in any way.

In Portrait of a Marriage, Nigel Nicolson, Vita's son, presents us with a view of the unusual marital arrangement between his parents, Harold and Vita. Theirs was an unbreakable love, a bond strong enough to withstand the emotional turmoil of passionate love affairs. By agreement, they gave each other the room to live their own separate lives, knowing they were each other's ROCK.

The book is divided into parts written by Vita and by Nigel, as well as excerpts of letters written by Vita and Harold. Vita had written an autobiography but locked it away in her tower writing room, unseen by anyone until after her death in 1962. Her son Nigel includes Vita's autobiography and his wider-view version of the same events Vita writes about. Most of the book is taken up with the drama around Vita's passionate love affair with Violet Keppel, which lasted over two years. Vita and Violet wanted to live together but had to run away from England to do so. This planned arrangement created turmoil and tremendous upheaval for everyone involved. Finally, getting as far as France, they break up and Vita returns to her family and begins a much quieter life of seclusion in the Kentish countryside. She and Violet were to meet and travel together a few more times, but the affair gradually wound down.

Vita and Harold had two sons, and created one of England's great tourist attractions: the gardens at Sissinghurst castle, their family home. Now owned by the National Trust, Sissinghurst was a refuge and the gardens their major project after the stormy first years of their marriage. As a female, Vita could not inherit Knole due to the laws of primogeniture. She mourned the loss of her family home to a male cousin. Virginia Woolf was aware of Vita's great sadness over the loss of Knole. She penned Orlando, her well-known novel of gender bending and time travel with Vita and Knole as her inspiration. I am currently reading Orlando and will give you my thoughts on it at a later date.

Sissinghurst Castle
(note the tower, upper center -- Vita's writing domain)

Finally, Portrait of a Marriage is a lasting tribute to a great love. The love of a man and woman for each other -- come what may. To most, it seems scandalous and a bit naughty that they were tolerant of each other's affairs, and they even refer to this perceived naughtiness in their letters to one another (Harold, as a diplomat, traveled extensively). In their view it was not naughty, rather a mature and generous agreement to allow each other the freedom to live, really live, their own one life in this world.

Referring to Vita's feelings for Virginia and for the effects on her husband Leonard, Harold says in his 2 December 1926 letter to Vita:

"I am far more worried for Virginia's and Leonard's sake than for ours. I know that for each of us the other is the magnetic north, and that though the needle may flicker and even get stuck at the other points, it will come back to the pole sooner or later."

Quite civilized, I must say.

Reading update:

Listened to two cosy mysteries using my library's digital download feature.

Read my cousin's first novel, The Wish and the Waterfall. Quite the good book, and a post on it to come at a later date. Way to go, Ken!

Currently reading A Pilgrim at Tinker's Creek, also on the 2016 TBR challenge and Orlando by Virginia Woolf.

I think that is it for now. I am not worried about the hordes! Ciao!



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